To Sir, with Love

VHS : To Sir, with Love

To Sir, with Love

starring: Sidney Poitier, Christian Roberts, Judy Geeson, Suzy Kendall, Lulu
directed by: James Clavell



 : To Sir, with Love
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Audience Rating: Unrated
Binding: VHS Tape
EAN: 9780800104801
Format: Color, NTSC
ISBN: 0800104803
Label: RCA/Columbia Pictures Home Video
Manufacturer: RCA/Columbia Pictures Home Video
Number Of Items: 1
Publisher: RCA/Columbia Pictures Home Video
Release Date: 1994-07-08
Studio: RCA/Columbia Pictures Home Video
Theatrical Release Date: 1967-06-14



Editorial Review:

Amazon.com essential videoNovelist James Clavell wrote, produced, and directed this 1967 British film (based on a novel by E.R. Braithwaite) about a rookie teacher who throws out stock lesson plans and really takes command of his unruly, adolescent students in a London school. Poitier is very good as a man struggling with the extent of his commitment to the job, and even more as a teacher whose commitment is to proffering life lessons instead of academics. The spirit of this movie can be found in such recent films as Dangerous Minds and Mr. Holland's Opus, but none is as moving as this one. Besides, the others don't have a title song performed by pop star Lulu. --Tom Keogh

















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Customer Reviews
Average Rating:  out of 5 stars

Rating: 5 out of 5 stars - Timeless Classic!
TSWL has been a favourite of mine for many years. They picked a really great cast to make this film. Although made and set in 1960s London there are certain things that are still relevant to todays world; problem kids no teacher wants in his/her class, racial profiling & stereotyping. This film shows how one man (Poitier) made a difference in trying to tackle these problem at the time.
My other reason for liking this film is that I am into the "Swingin 60s.", its music, its art and fashion, etc.
If you like this film, you would enjoy the two British TV series also set in the 60s; Heartbeat and The Royal; although these are made in the 2000s.



Rating: 5 out of 5 stars - Fabulous
One of Poitiers' best ever!! With an assortment of great supporting cast, music, story and backdrop, To Sir With Love is a classic. Poitier is an out of work enginner who takes a job as a teacher in one of the worst schools in London. When at first he cannot seem to get through to the students with regular teaching methods, Poitiers character takes on a completly different way that teaches both the students and himself about the possibilities in life. Everyone should watch this movie, it was a favorite when I was young and still one today!!



Rating: 4 out of 5 stars - If Only
Watched this with my 22 year old daughter many years after the last time I had seen it on cable. Still wonderful, innocent, if not naive, tear-jerker, with Lulu's one hit wonder, To Sir With Love, and some other one-hit wonders on a decent sound track. By the way, my daughter loved. We both cried at the end! IF ONLY they made movies like this again!



Rating: 5 out of 5 stars - A Stirring Tribute to From Crayons to Perfume
In TO SIR, WITH LOVE director James Clavell recreates a world that is timeless in its rich connotations of a collision of values between a working class and partly thuggish group of east London high school seniors and a dedicated teacher who is determined to give them vitally needed survival skills of which they are only dimly aware. Sidney Poitier is Mark Thackeray, an out of work engineer who agrees to teach only due to financial straits. What occurs in his class has been covered before and since in films like BLACKBOARD JUNGLE and DANGEROUS MINDS, but in Clavell's masterful hands, the result is a near perfect blending of many seemingly disparate elements that somehow fuse into a classic.

Poitier faces a group of tough kids who want to like him but have been conditioned to give all teachers a hard time. As if peeling away the many delicate strands of an onion, Poitier similarly reveals the teen angst that is surely a universal condition regardless of economic status. The film has too many moments of understated power that in the hands of a lesser director might have gone for the overkill, but Poitier, ably assisted by Judy Geeson as a beautiful Pamela Dare and Suzy Kendall as an equally lovely teacher co-worker, all manage to bounce off each other at just the right moment. Where the hoodlums in BLACKBOARD JUNGLE were vile, in Thackeray's class were hiding their inner fears under surface petty disruptions. From the opening reel to the last you simply knew that this was a magical film populated by idealistic types like Poitier and Kendall or unruly students whose unruliness was a mask.

Other reviewers have suggested that the look and feel of the film give it a dated aspect. This may be true but being dated need not be a flaw. In the closing scene at the graduation dance, all the pieces meld into a thoroughly enjoyable whole. The Beatle-type look of the band, the sixties-style frugging, the look on Judy Geeson's face as she dances with Poitier, and the stirring lyrics by Lulu all coalesce into a timeless tribute to the cusp between crayon and perfume. In its own way, TO SIR WITH LOVE is one of those magical movies that announce to an often unready and unlistening world that a new generation is about to make its mark.




Rating: 5 out of 5 stars - Better Than I Remembered
"To Sir With Love" (1967) could be considered a blue collar and contemporary "The Prime of Miss Jean Brodie" (1969) or an urban "Mr. Holland's Opus". I was entertained but unimpressed when I saw it in a theatre at the time of its release. At the time the film was simply too obvious in its attempt to cash in on the hot issues that were being embraced at that time. Anything British was super cool, race relations was the "in" topic-especially things dealing with the plight of blacks, Lulu's hit title song was being played incessantly on all the pop stations, Judy Geeson was suddenly every guy's dream girl, and Christan Roberts was obviously intended to draw teen girl's to the theatre.

Surprisingly the film has held up remarkably well and somehow seems far less contrived. In part this is because I have learned that the novel (of the same title) from which it was adapted, was written by a cultured black man (E.R. Braithwaite) who taught similar students in a similar East End London public school. In addition, the story is timeless as educational systems continue to pigeon-hole students at an early age, steering the least promising into dead-end programs where little is done to tap whatever potential they may have for learning.

That's basically the film's story as out-of-work engineer Mark Thackeray (Sidney Poitier) takes what he hopes will be a temporary job at an East End school. His class is the one nobody wants, full of students who have no apparent aptitude or interest in anything academic. They are in their last year (British schools set this type of student loose on the world at age 15 but these students look several years older) and just killing time until they can leave school at the end of the term. These are not the JD's of "Blackboard Jungle" (a 1955 Poitier film) but a real socio-economic segment of British society.

Thackeray quickly sizes up the situation and realizes that he can do nothing to make up for years of low expectations. So he starts teaching them basic manners, survival skills, and how to behave as responsible adults; things that will soon be useful to them. And they quickly recognize this and for the first time actually become attentive to a teacher and his lessons.

More importantly, he gives them a role model, a poor black man who worked hard, paid his dues, and transformed himself into someone they consider cultured and literate. They have been tagged as losers by the educational system but Thackeray opens their eyes to other possibilities.

Of course Lulu sings the excellent title song, which is nicely connected to the actual story, and does a surprisingly good job of acting for the camera. The film's best moment is the field trip to the museum creatively illustrated by a montage of still photos accompanied by a version of the title song. "The Mindbenders", a contemporary pop group ("Groovy Kind of Love") contribute a couple songs and actually appear briefly at a dance gig.

Then again, what do I know? I'm only a child.

Those schoolgirl days, of telling tales and biting nails are gone, But in my mind, I know they will still live on and on, But how do you thank someone, who has taken you from crayons to perfume? It isn't easy, but I'll try,

If you wanted the sky I would write across the sky in letters, That would soar a thousand feet high, To Sir, with Love

The time has come, For closing books and long last looks must end, And as I leave, I know that I am leaving my best friend, A friend who taught me right from wrong, And weak from strong, That's a lot to learn, What, what can I give you in return?

If you wanted the moon I would try to make a start, But I, would rather you let me give my heart, To Sir, with Love



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Joe Walker

If you want to protect yourself from a XSS attack, what characters should you escape? I've seen 2 recommendations:

  • ', ", <, > and & should be converted to ', ", <, >, &
  • Convert anything that isn't ASCII alphanumeric to &#xx;

I've seen the second recommended more and more recently. Which is best?

The argument for escaping all non-ASCII alphanumeric

It's a known security tenet that whitelisting is safer than blacklisting. If you're just escaping ', ", <, > and & then you're blacklisting, which isn't as safe as whitelisting.

There are some practical examples of how this can play out -

(I'm using $ to represent the injection point. This would probably crop up in a template something like this: )

If all the escape() function does is to escape ', ", <, > and &, then what if the user entered a data: URL? You could end up with the following output:

test

Which in case you can't do base64 in your head is equivalent to this:

test

Clearly this is bad - we've let a user XSS us even though we are filtering for XSS. There are many more examples that are similar.

The argument for escaping only ', ", <, > and &

The bad news is that more filtering does not help. If we enhance our escape function to encode every non-alpha, then we would get the following output:

test

Here's the bad news - the above works. (Look: test (if this script gets into your RSS aggregator, then you need a new RSS aggregator.))

Adding the extra filtering has had the following effect:

  • It's hidden the hole, so now we're less likely to notice it, and fall in.
  • It's wasted bandwidth

So how do we keep ourselves clear of XSS attacks?

The solution is to understand about insertion points.

The following insertion points, are ones that I believe are safe if ', ", <, > and & are escaped:

  • $
    (Where div could be p, h*, li, etc - things expecting textual content)
  • (i.e. somewhere else that expects textual content)
  • (needs different escaping rules)

I think it's likely that virtually any other insertion point is likely to be dangerous. Some examples:

  • (no amount of escaping will protect you, prepare to die)
  • $> (there are countless events we could latch into, including several non-standard, hard to find ones)
  • ... (JavaScript pops up in CSS in many places like width:expression(script_here))
  • ... (The example we used above)
  • (For similar reasons)
  • etc.

The key it to understand the environment into which we are allowing injection. The trend for separating content, style and action into separate files is good because it more clearly defines the environment, but that doesn't stop HTML from being able to embed CSS.

I once saw some code that was JSP containing Java containing HTML containing CSS and JavaScript containing SQL all on one line. An environment so confused that it contained it's very own security hole built right in.

Filtering in DWR

DWR version 3 is nearly cooked, and our escaping functions use the simpler escaping system of just escaping ', ", <, > and &. If anyone knows of any attack that a broader filtering system would protect people from, then please comment.

If you want to protect yourself from a XSS attack, what characters should you escape? I've seen 2 recommendations:

  • ', ", <, > and & should be converted to ', ", <, >, &
  • Convert anything that isn't ASCII alphanumeric to &#xx;

I've seen the second recommended more and more recently. Which is best?

The argument for escaping all non-ASCII alphanumeric

It's a known security tenet that whitelisting is safer than blacklisting. If you're just escaping ', ", <, > and & then you're blacklisting, which isn't as safe as whitelisting.

There are some practical examples of how this can play out -

(I'm using $ to represent the injection point. This would probably crop up in a template something like this: )

If all the escape() function does is to escape ', ", <, > and &, then what if the user entered a data: URL? You could end up with the following output:

test

Which in case you can't do base64 in your head is equivalent to this:

test

Clearly this is bad - we've let a user XSS us even though we are filtering for XSS. There are many more examples that are similar.

The argument for escaping only ', ", <, > and &

The bad news is that more filtering does not help. If we enhance our escape function to encode every non-alpha, then we would get the following output:

test

Here's the bad news - the above works. (Look: test (if this script gets into your RSS aggregator, then you need a new RSS aggregator.))

Adding the extra filtering has had the following effect:

  • It's hidden the hole, so now we're less likely to notice it, and fall in.
  • It's wasted bandwidth

So how do we keep ourselves clear of XSS attacks?

The solution is to understand about insertion points.

The following insertion points, are ones that I believe are safe if ', ", <, > and & are escaped:

  • $
    (Where div could be p, h*, li, etc - things expecting textual content)
  • (i.e. somewhere else that expects textual content)
  • (needs different escaping rules)

I think it's likely that virtually any other insertion point is likely to be dangerous. Some examples:

  • (no amount of escaping will protect you, prepare to die)
  • $> (there are countless events we could latch into, including several non-standard, hard to find ones)
  • ... (JavaScript pops up in CSS in many places like width:expression(script_here))
  • ... (The example we used above)
  • (For similar reasons)
  • etc.

The key it to understand the environment into which we are allowing injection. The trend for separating content, style and action into separate files is good because it more clearly defines the environment, but that doesn't stop HTML from being able to embed CSS.

I once saw some code that was JSP containing Java containing HTML containing CSS and JavaScript containing SQL all on one line. An environment so confused that it contained it's very own security hole built right in.

Filtering in DWR

DWR version 3 is nearly cooked, and our escaping functions use the simpler escaping system of just escaping ', ", <, > and &. If anyone knows of any attack that a broader filtering system would protect people from, then please comment.






To Sir, with Love

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